Pre-print preview of new article on the Tournai Canons

We are pleased to announce the release of the pre-print version of our article on the repertoire of canons in French music from the mid fourteenth century. The article, “New light on the mid fourteenth-century chace: canons hidden in the Tournai manuscript”, ¬†features recently discovered¬†canons (including lead author Stoessel’s transcriptions) from the same manuscript that contains the famous Tournai Mass. It discusses the place of the Tournai canons in the contemporary repertoire north of the Alps and sets out a new framework for analysing the composition of canons in the mid fourteenth century. The article is scheduled to appear in print early next year in Music Analysis. Under the terms of Wiley’s article sharing policy, the early access version of the article can be read online at the following link. Final publication details (issue, number, year of publication and pagination) will appear in the final version.

Research for this article was supported by Australian Government through the Australian Research Council (project number DP150102135).

Announcing our new project

The Australian Research Council recently announced that it will fund our new project “The Arts and Science of Canon in the Music of early 17th-Century Rome” (DP180100680) from 2018 to early 2021 under its Discovery Projects Scheme. This funding will allow us to continue and extend our research on canonic techniques started in 2015 in another ARC Discovery Project “Canonic Techniques and Musical Change, c.1330 to c.1530” that will complete in the new year (a series of publications are waiting in the wings).

cropped-canon_s_maria_maggiore1.jpg

Our new project will investigate relations between major discoveries in scientific thought with musical developments in composing canons. Roman musicians were especially dedicated to all sorts of canonic techniques and used them in a multitude of compositions. Many scientists were trained in music and followed the flow of canonic compositions with great interest. The project will explore the nexus between music and science especially the ways in which the great outpouring of canonic techniques can be viewed through emerging theories of probability and combinatorics.